The art of
Faithful performance
of classical music

The cellist Felix Thiedemann deals with the faithful performance of music. It is important to him to place the music of different epochs in the context of their time.

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Hear music the way 
it was intended - live

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  • Lessons for both 
beginners and advanced players

    Learn the craft

    Felix Thiedemann offers cello lessons for beginners and advanced players, for children and adults, for amateurs, but also for young cellists who want to prepare for their studies.

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  • Management

    Need a career boost?

    Felix has helped many musicians and ensembles to elevate their career as well as created festivals, concert series and competitions. Through his organizational background and deep understanding of the musical world, he can build a success network for your needs.

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      Felix has been a valuable asset in helping me further my musical career.

      Anja Bauer, Musician

      Felix has excellent management skills when it comes to organizing and coordinating musical projects.

      Gisela Schmidt, D-Bu Festival Manager

      Felix has a unique talent for not only managing musical projects, but also for guiding and mentoring musicians towards success in their careers.

      Werner Matzke, Schuppanzigh-Quartett

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    Musical inspiration

    Max Reger

    Suite II, d-moll – op. 131c

    Max Reger composed his three suites for cello solo in 1914/15 for three important cellists and teacher of his time: Julius Klengel, Hugo Becker and Paul Grümmer. He also had a personal friendship with Klengel. Reger humorously announced his opus 131c to him in the summer of 1915 as "strong triplets" and asked the cellist "to use these three pieces as often as possible in lessons" - which of course require a high level of mastery among the students.

    J. S. Bach

    Suite Nr. 3, C-Dur

    The third suite in C major, BWV 1009, is the most brilliant of the cycle. With never-ending ingenuity, the prelude takes advantage of the possibilities of runs and triad breaks - very similar to the prelude of the E major partita for solo violin. The captivating drama of this movement arises from the harmonic evasions that gradually creep into the initially radiant C major.

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